Tag Archives: album

Wolfmother Serves Epicenter Festival A Cosmic Egg, Sunny Side Up

26 Aug

The host hazy and dusty race tracks are not the normal habitat of wolves. No, I picture wolves living in the misty mountain hops of vampire infested forests up in Northern America. But I wasn’t interested in spotting your average wolves. I was jonesing to see the kind of hard rock wolves who are native to Australia’s open plains. Wolfmother. They will do just fine in Pomona’s Fairplex.

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I kidnapped my British friend, Som, and we headed south, outside the comfortable political and social strata of Los Angeles county. for KROQ’s Epicenter Music Festival. This being the inaugural year, they nabbed headliners Tool, Linkin Park and Alice In Chains but upon arriving, it seems that not even metal/grunge/rock juggernauts could overpower an economy on life support. Of course there are always those with disposable incomes, or meth labs in their basements…

As the backstage area slowly filled with Monster energy drink abusers of all types, the gifting suite filled up with ear plug hawkers and a laser tag course (with air rifles) was constructed in the massive media/artist building. I was quickly and succinctly shot in the face by a man in a Return Of The Jedi shirt, who was on a laser shooting spree while carrying on a cell phone conversation. C’est la Pomona vie.

The dusty field slowly became dotted with barrel-chested men in black Tool shirts, Street Sweeper Social club were adequately received, save for a few boos lobbed at them when they made political statements about sending troops overseas to fight in Iraq. You’re not in Los Angeles, anymore, Morello. Click your Hollywood heels three times. These men like their guns. And my guess is they don’t want you to kill their grandma with healthcare options.

As Som sought out his friends in the band, Hollywood Undead, I managed to spot an Australian red backed wolf, in fact the leader of his pack. Andrew Stockdale and I sat in the back of the artist tent, near where the caterers were inexplicably serving up tray after tray of hot brussel sprouts…By the way, really? Brussel sprouts? How is that a rock n roll food? Like Linkin Park is gonna come rolling through and say “Oooh I’m gonna eat the crap outta those brussell sprouts!” But I digress…

Andrew and I lounged amidst the stench of rockin’ brussel sprouts and talked about his return to sunny LA, where the band had recorded their latest release, Cosmic Egg. Andrew wholeheartedly admitted that the October 13th drop date was a nod to my birthday. He knows better to disappoint me. I mean, he does live in the land down under, but LA is like his second home so he does have to worry about making me unhappy. And how did he feel about being back in his second home?

“I do like LA. I’m interested in all the different sides to it.”

Yeah, we know. Our city can be just as bi-polar as it’s inhabitants.  That’s why we self medicate or meditate. And speaking of our namaste ways, what of the folklore that Cosmic Egg was named after some crazy yoga pose Andrew found himself in?

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“Yeah, I think it was some resting pose, I’m not sure. It could have been the fetal pose. It must have been a tripped out instructor for sure.”

Tripped out sounds about right. But the Cosmic Egg is also a Hindu symbol often used to describe what we call the big bang theory. Did that factor into naming the album?

“I was interested in something I read about black holes being the end of time but now they think they’re the beginning. So it’s the end of the beginning. Or, it’s a new universe. If that makes sense. I didn’t even know all that was behind the name when I heard it. I just thought it sounded cool!”

With all the talk about the beginning and the end of the universe, and 2012 quickly approaching, anyone who is still following he Mayan calendar would be getting a little uneasy. So is this the end of days? Or is the cosmic egg cracking open something wonderful and new?

“When I first started writing songs, there were a lot of environmental issues in the press and we did shows for lower emissions. So, some of my songs are about the end of the world. You know: ‘The sun’s getting closer! We’ve got to change our ways!’ But I’m glad there are only one or two songs in there like that. One of the songs is called ‘The Violence Of The Sun’…there’s nothing hippie about it. It’s this burning mass of destruction. The environment is violent. Evolution is violent.”

As out discussion starts to get farther from mysticism: (star showers, wolves, and eggs) and further into science and the temperature of the earth’s core, Andrew gets uneasy and balks.

“I don’t want to be overly intellectual about it.” He pauses and adjusts his grey vest. “Not that I could be.” He adds, laughing.

Well, then it seems that he’s come to the right place. I don’t want to generalize but after watching Boots Riley and Tom Morello get booed, the field outside seems to be a giant mass of duh being stirred up with beer and energy cocktails. Since when did it become uncool to be smart? Was it dummy pimps, like Palin, who made the intellectual a dirty name?

“You don’t have to be dumb,” Andrew starts out carefully, “but I think it’s important to be instinctive and expressive and have passion. That goes a long way. And not being too strategic too. I saw this thing on Picasso. He wanted to get one of his mistresses pregnant so she’d be less intellectual and more in tune with life.”

picasso.avignon

Point taken.  Intellect and instinct both have their place. And I am hereby doubling up on condoms. Just in case.

As his band mates begin to shuffle by and get ready to head toward the stage, I ask Andrew if he’s seen It Might Get Loud. He hasn’t yet, but we talk about Jimmy Page and Wolfmother’s big date, opening for Led Zeppelin when they were inducted into the Rock And Roll Hall Of Fame. I point out that they are most likely the last band to ever do so and that the pressure would drive someone like me to drink.

“I sat in the backstage area and played that solo (Communication Breakdown) about fifty times before we walked out there. The bizarre thing is that James Brown was there to induct himself and he looked over at me and I gave him a little wave and he waved back. He died the next day. It’s amazing. It’s like he stayed alive just for that.”

Andrew kind of pauses, lost in the moment. A cameraman tripping over himself in front of us brings Andrew back to storytelling mode.

“Anyway we went and did Communication Breakdown. My monitor on the stage stopped working. The sound was blaring. I couldn’t hear a thing so I thought I just better go for it. It was the highest I have ever sung in my life!”

le-wolfmother

I start to laugh, picturing Andrew’s already soaring voice reaching the outer galaxies. I mention to him that whales and dolphins across the seas were with him in spirit that day. He made a legion of marine life into Zep fans that day. He smiles at the thought. I think I might have just inspired some album art work or posters for the next round.

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Andrew gets ready to rock the Pomonians, but before he does, I ask him one last question. If the epicenter is the point of an underground explosion, what does he think is the next underground explosion about to hit our culture?

“Aw, I haven’t even had time to think about good stuff like that. Easy listening? Bossanova! Like Jose Feliciano? Really beautiful bossanova music.

I tell him he could start the trend today. He’s got a big audience awaiting him with rapt attention.

“Yeah, maybe I’ll bring out the nylon string today.”

If anyone could pull it off, it would be Stockdale, who has managed to bring back a classic rock sound without aping the genre. Luckily for those about to rock out at the Epicenter Festival, Andrew and the wolf crew kept it hard and loud. Mixing some new blue cheer tunes like California Queen and New Moon Rising, with old popular Zep twinged tunes like Woman, White Unicorn and Dimension, the audience roared with a whole lotta love.

credit: Firecloud

credit: Firecloud

The Cosmic egg was cracked and the kids gobbled it up and were left wanting more.

May I suggest maybe releasing a b–sides rarities album? Something with a dolphin on the cover.

Ali on the Air & Antiquiet Backstage: Nico Vega at the Roxy

2 Apr

Nico Vega, LA based and openers for The Von Bondies, hung out in the dressing room and answered some of my questions.

Cassettes Won’t Listen launches a Beat Kanye site – It’s On!

23 Jul

Here’s a throw down for the ages…Cassettes is challenging Mr. West to an internet duel.

We all know how graceful Kanye is under pressure…and since I often enjoy watching egos implode, I highly suggest you log on and help CWL beat Kanye. Plus, it could provoke a “George Bush hates black people” truthiness response…fingers crossed.

Cassettes Won’t Listen Vows To Offer Up Next Album Free If Cassettes Won’t Listen Beats Kanye West

Cassettes Won’t Listen has agreed to to give away his next album for free if he beats Kanye West in the nominations for Best Male Video.  MTV is giving fans the chance to nominate their favorite artists for this year’s Video Music Awards. So far, Cassettes Won’t Listen’s latest video for ‘Paper Float’ is in the running.  So, Cassettes Won’t Listen launched BeatKanye.com, because we know Kanye is a good sport when itcomes to losing awards, so people can cast their vote and help make MTV about great music once again.

And to show he’s serious, Cassettes Won’t Listen is offering his next single for free right now!  Freeze and Explode, which Pop Matters calls “stunning, gorgeous, flawless pop song just explodes off of the speakers, filled with an incredible sense of rising catharsis. It demands your attention, simply because it is one of the best songs that 2008 has produced to date,” will be released in the September with remixes, unreleased b-sides and a brand new video.  But for now, you can download
 
        
Visit BeatKanye.com to view the Paper Float video and
click the ‘VOTE’ link on the left to have your chance at helping beat Kanye West!”


Check out www.beatkanye.com for more info!

DJs and Turntablism – are hipsters and laptops killing the art form?

8 May

Hey Mr. DJ, put a record on…no really. I mean a fucking record. you know, those vinyl thingies that old timey people used to play?

While having dinner with Ian last night, the topic of dj culture came up. The electro, hose, nu-rave scene has burst like a serato pinata here in LA, and in NYC as well. Now, I’m always a champion for new music and creative outlets…but it seems to me there is a glut in the market. It’s like that Jack Black joke in the Tenacious D pilot, about aspiring musicians… (paraphrasing) “if you suck, and we ask you to stop, you must stop!” Lately I can’t walk into a bar without screaming FOR THE LOVE OF KRISHNA, PUT THE I POD DOWN!

It seems that with the nightly dance parties in heavy supply, anyone, and I do mean anyone, with a laptop and i tunes is now a DJ. So where does that leave the DJs who have been doing it for years? What does it mean to be a DJ? Is it style? Are you a DJ if you can scratch? Is it substance? Does being a DJ constitute having a good selection and crate digging your heart out? Or can you get by if you get the crowd to dance by playing Thriller and Justice off your Nano? And is it any great feat to get a bunch of kids cracked out on Sparks to sway and slam to a beat? Ugh.

Does a good music producer make for the best DJ? Or is it shiny stickers spelling out your name on the back of your laptop? I’m an on air radio DJ and I spin at some of the local clubs, in between bands. I spin mostly rock and punk, so I don’t get asked to be on the hipster club bills. Does this make me less of a DJ? OK, don’t answer that last question.

Ian mentioned that some of these club promoters/indie label owners/hipsters in American Apparel DJs, have their own booking agent. And big time bookers too. What makes someone pay thousands of dollars to have a specific DJ flown in for a party? Is it name recognition? Does a lot of website party photo ops constitute recognition? Or do you need to be seen walking the red carpet with the Good Charlotte boys? And why do some of these hipster dj duos think that they’re famous?

One unnamed duo, who have recently gotten a bit of local hype, claim that their fame is wearing on them. Heavy is the head that wears the black leather fedora. Woe is the electro boy in a Members Only jacket. Too much fame! How do they get up everyday and lace their free Puma kicks? Now I’m sure you couldn’t pick them out of a line up. Nor are they gracing the covers of any magazines. In fact, if you took them out of the insular LA/NYC scene, no one would know who they are. But they behave that their lazy re-mixes are an art form so great that they should be given the VIP treatment wherever they go. I smile as I wonder how long these ‘famous’ guys would last in a spin off versus someone like Pete Rock.

Which begs the question: Is DJing an art form? What does it take to make something art? By playing someone else’s music, are you then too a musician? How much do you have to change a piece of music to make it your own? How many seconds of a sample can you use in order to patchwork together a song? Is cutting together a track of samples any less artful than editing sound of instruments being played in a studio?

In my moonlighting as a clothing designer for Rock-N-Role, I take vintage cast offs, de-construct them and make them into something new. I consider that designing, but I’m sure the people at Parsons would consider it cheating or whatnot. One of my favorite artists, Banksy, often takes pre-existing works and adds his own cheeky flair. Is that not real art?

If you’re a DJ with your own album out, ala Junkie XL, or Cut Chemist, does that set you apart from the popular kids who speed up a Justice track and call it a new mix? Where does the line get drawn? I believe that the great Steinski is an artist the way he blends together bits and pieces of old movie quotes, Zapruder film audio and beats…but he can’t legally sell The Lessons. So sales and charting can’t be the only measure of a man (or woman).

Someone like Shadow, who can keep a crowd going and has a flair for ‘spinning plates’, certainly earns the respect and worship of many…but is his art form cheapened by an up and comer serato spinner in a hyphy crunk hoodie and neon wayfarers? Or is there room for both?

A lot of the old school dj/turntablists that I’ve interviewed are very careful not to slam serato. “It means I don’t have to carry 80 pounds worth of records on the airplane with me.” said one. But they do say that you can’t polish a turd; meaning if you kill on the decks with 45s, then you’ll be great with serato. If you don’t know what you’re doing, you will still suck. Technology can sink or swim you.

I personally give more respect to the record collectors, or ‘vinyl trekkies’ as Kid Koala calls them. Spending hours and hours at odd hours, digging through dusty crates connotes a certain commitment to the craft, as well as an obvious love for music and sense of musical history. But is any of that important when faced with 200 electro/emo hispters who ‘just wanna dance’? What do you play to those kids…what you like or what they want to hear? And whatever happened to street cred?

I’m just playing hipster’s advocate here, trying to get a discussion going…

…but it seems to me that a lot of these new DJs are in it for fashion…or perhaps because it pays better than working at Urban Outfitters and the hours and drugs are the perks they’re looking for. How many of the new DJS consider what they’re doing an actual craft or career, and how many are just in it to be pimped by Scion or Nylon. If we could send a camera crew to each of their homes, would we find them listening to music in their off hours? I mean really listening to music. Pushing their boundaries and searching for the next sample that will blow our minds.

Speaking of blowing minds, I couldn’t discuss the tables without including this from Kid Koala…he plays a record like it were a violin. And he spins without headphones! If this is an art form, Koala is masterful:

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