Tag Archives: celebutantes

Foreigner Plays For The Beautiful People – Checkitnsee

6 May

With an onslaught of press releases and invites, I have the humble luck of being highly selective with my night time activities. That being said, I can seem to be quite the jaded gal, a retired hipster – party girl, interrupted.

How many open bar/energy drink special/free t shirt/ipod dj events can one succumb to until you slowly numb out and freeze to death right in the middle of Cauhenga Boulevard? My Facebook event inbox tips well over into the hundreds which I barely read any more. I’m not showing off…I’m just protesting the glut of white noise.

Sometimes it takes something extra to motivate me to cover an event, find an angle, do the interview, write the article, put on the push up bra…unless it’s free champagne and FOREIGNER. Stop the presses.

I do love my indie rock. I appreciate the singer songwriters. I love my atmospheric sweeping geniused gems. I love my dirty bluesy garage rock. I love punk ditties. BUT, classic rock and hair metal will stop me in my tracks. I’ll admit it. When I am in my car, I’m a radio flipper. I don’t use the ipod. I scan…and I find myself bored a lot with the new music stations. I often keep going back to the classic rock of KLOS. Perhaps I’m becoming an old curmudgeon. Perhaps I am just in a Zep phase…but I just want to be comforted by people who wrote their own songs, who play their own guitars, who seduce you with a solo, and who never used auto tune, even if they can’t quite hit those high notes.

I love some of these KLOS bands, not in an ironic way. Def Leppard? It’s no Mysteria why. Scorpions? What’s wrong with a night of sin? Foreigner? I’m not shy (and I used to get around).

Most of the people attending the I Heart Ronson/JC Penny event last night were there to toast Charlotte Ronson’s t shirt line for the huge department chain, or flaunt their fashionista wares, or gawk and stare at the fabulous kids who sell People Magazine.

I went to see Foreigner. Not ironically.

Mick Jones of Foreigner is the step father of designer Charlotte, music producer/scenester Mark Ronson who DJed, and DJ/scenester Samantha Ronson who, ahem, sang an opening set.

Moving through an acoustic set of hits like Double Vision, Dirty White Boy, and I Want To Know What Love Is, Foreigner then debuted a new song that Micks’ step son Mark produced. The band then ended with a spirited rendition of Hot Blooded, which even the teenage models and disaffected reality celebutantes, seemed to recognize. Maybe because it’s the anthem of making it ok to be a groupie?

Many of the well dressed lookliloos stayed on hand to sample the over abundance of free junk food and open bar cocktails and to hear Samantha spin, but with Foreigner leaving the stage, my interest plummeted.

It’s about the music.

Serato Is Not A Pasta – DJ Intervention Starts Now

27 Feb

I’ve written many times before about the difference between a legit DJ and the hobbyists who like the idea of having their playlist heard on a Friday night for a little cash in their pocket.

If it’s true that ‘Anyone Can Play Guitar’ then it’s even more true that anyone can DJ, especially when you can download Serato for free…but forget beat matching. That rarely even enters into the equation anymore. In today’s club scene a dilettante can get paid four or five thousand dollars and show up with their i pod just because they fucked someone famous and the promoter thinks thats cool and bitchin and shit.

OK, the novelty of seeing the cast of Gossip Girl fumble around with a mixer might be an initial draw but then what? I’ll tell you what. If it’s a nightclub with a dance floor, the real DJ has to come in and save their ass and make sure there’s actual music playing.

Now, not all venues have to have banging house tunes. Many bars and clubs these days want a lo fi, bring-your-own-stuff-to-spin atmosphere, and that’s cool. But the difference is: no one is being paid obnoxious amounts of money for something they downloaded off itunes a few hours before.

I’ve been hired to spin at certain clubs around Los Angeles, mainly because I know music. I’ve been asked to spin records (yes, I use vinyl) in between bands performing at venues…and even though I have been on air at a few different radio stations, I don’t really consider myself a working DJ. On air personality? Yes. A DJ? Not really.

Do I love to search for records? Sure. I like to go to Counterpoint and flea markets. I’ll drag boyfriends and family members to vintage shops and dusty record bins while on vacation until they beg me to stop. However, I don’t make special crate digging trips to Japan or Israel or Brazil like Pete Rock or Cut Chemist do, for the SOLE PURPOSE of collecting rare records. That is LOVE of the craft. That is why those guys should be hired to do the job.

Pete Rock crate digging for vinyl gold

And then some dick promoter is going to pay Peaches Geldof a shit ton of money to “DJ” their party?

When I see the amount of hard work someone like DJ Z Trip or Rhettmatic has put into their careers, only to see some trust fund kid with a chip on his shoulder and a personal paparazzo by his side, breeze by and get flown all over the world for 5 and 6 figure gigs…when I’ve seen that same trust fund fucker literally plug his i pod in at a venue and then walk away from the DJ booth to pose for pictures and pound drinks…it infuriates me for the hard working DJs out there.

Z Trip's first love

I’m not saying that not every celebrity sucks at DJing. Carlos D from Interpol has been DJing for years and only uses vinyl. It seems to me he has a real love for it and puts a lot of time and energy into it. Therein lies the difference. Are you in it because you love it? Or are you doing it for the photo op? Cause most of us can tell, you know.

Club owners: Stop paying good money for shitty product. You want the cast of Twilight to DJ your party? Fine. Don’t pay them. They’re not DJs. Give them a bottle of Grey Goose and set them up in a booth in the corner. You can take a photo of them standing near the DJ booth for the starfucker page on your website and leave the DJing to someone with chops.

Festival bookers: Really? Six figures for a DJ who’s crap?  We’re not that high. Stop it.

Last fall, after another night where Z Trip had to follow another “DJ” train wreck, he took to twitter and ranted which I have to admit, I egged on and on. Our tweets ultimately gave me the idea for this film…this is part one of an ongoing series of DJ INTERVENTION.

If you like it, pass it on to all of your friends who may need some help. We know you’re out there and we want you to get the help you deserve…

Or you can vote for it here on Funny Or Die:

Part Two to come soon!!

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