Paul Provenza Is Tearing Apart The Fabric Of America

In honor of The Green Room’s broadcast on Showtime, I am reposting my Huffington Post article and interview with the host of The Green Room and author of Satiristas, Paul Provenza.

Paul Provenza is a thirty-year stand up veteran and actor who made the critically acclaimed documentary The Aristocrats, about the dirtiest joke ever told. Now he’s brought the filth that comedians spew to America’s bookshelves with !Satiristas!, a new book with Dan Dion’s photography, and the Showtime series The Green Room, a behind the scenes look at today’s best comedians.

Will his witty propaganda ever be stopped?
ALI MACLEAN: Who the hell do you think you are, Paul Provenza?

PAUL PROVENZA: I’m someone who nobody would hire so I had to make my own shit.

AM: And that shit was your book !Satiristas!? What is a Satirista? Is it like a Socialist?

PP: Sort of. It’s more like a fashionista.

AM: In your book and on your show, The Green Room with Paul Provenza, which is premiering on Showtime this week, you give up and coming comics, like that commie, fascist, socialist Lee Camp, a platform. So why not give new comics like Sarah Palin a chance? Even Jay Leno, who is in your book, gave her a chance. Why isn’t she in your book?

PP: You know she’s just not funny enough.

AM: So it’s all about talent? What advice would you have for someone like Sarah Palin in her budding stand up career?

PP: Sarah Palin needs to use the words ‘fuck’ and ‘cunt’ more often, and then I think she will appeal to a wider audience.

AM: Don’t you think she probably does that behind closed doors?

PP: No, she IS a fucking cunt. But she needs to use the words more in her act.

AM: Do you agree with Jay Leno who, in your book, said that being a satirist will put you out of business in the comedy world?

PP: Right. Stephen Colbert and Bill Maher and I were all talking about that and we all agree with him. Bill called to borrow a few bucks and Stephen wanted me to come get him at the airport. He didn’t have enough for cab fare.

AM: So why is Jay Leno in the book !Satiristas! when he says he doesn’t believe in satire?

PP: Because he’s someone who is on TV and does a monologue about the day’s events everyday, and makes the choice NOT to take a stand on anything. We thought that would be rather interesting in the context of everybody else. Plus we’re all hoping to get on his show. We’re really just sucking cock.

AM: Do you think he’s maybe doing a satire of a blue-collar guy?

PP: That’s a good question.

AM: Hmmm, maybe I should have cut that one. Next question.
Mike Nichols said that you can’t be Ann Coulter and be funny. How about George Bush? Karl Rove? Paul, if you had to teach them in a comedy class could you train them to do a tight five-minute spot at the Chuckle Hut?

PP: They’re more sketch performers. They’re sketch as opposed to stand up. They write these elaborate sketches like the War in Iraq and the presidential campaigns.

AM: But much like SNL, the sketches go on forever and ever. How attracted were you to Ann Coulter when you two were on Red Eye on Fox News together?

PP: I was so attracted to her. I got her number from the producers. I went home and went on Craigslist and got some black thugs and was going to invite her over.

AM: Would you change your politics if you started falling for a woman?

PP: I wouldn’t change my politics but I was so attracted to Ann Coulter that I thought that maybe I was gay.

AM: Victoria Jackson. Satirist or truth-sayer?

PP: I have no idea what the fuck Victoria Jackson is. I think she is furniture. I’m not sure.

AM: How about Dennis Miller?

PP: Dennis Miller? Next president of the United States. He will go head to head against Al Franken. Unless the third party candidate comes in and sweeps, and that would be Dane Cook. Dane Cook is essentially a one-man tea party.

AM: In your Henry Rollins interview you ask: “Shouldn’t entertainers just entertain and shut the fuck up?” So, like, why don’t you?

PP: Because they stopped serving airline food.

AM: So if our corporations could get the airlines to serve food on airplanes, then you guys would shut the fuck up and entertain again?

PP: Yeah, we’d have something to talk about again.

AM: Why do most comedians feel the need to destroy the fabric of our country that Betsy Ross and so many hard working women toiled to weave with their weaving fabric making things?

PP: Weaving fabric-making things?

AM: The olde timey machine that makes fabric. I didn’t have time to google the name of it.

PP: We’re not really tearing apart the fabric. It’s already coming apart. We’re just pulling at the threads and seeing if we can make something else happen.

AM: You shouldn’t tear apart the flags. It’s an important part of America.

PP: Well, here it’s pertinent to quote the late, great Bill Hicks, and say: “Huh, my flag was made in Korea.”

AM: We don’t actually want to make them here today. We have someone else make them.

PP: Yeah, children in a third world country. That’s how we spread democracy.

AM: Exactly. They’re lucky. Guess you’re not going to answer that question so I will ask you another one. Aren’t most comedians just products of broken homes with shitty fathers? If you just had more hugs and more Jesus, would you even BE funny?

PP: Aren’t broken homes and shitty fathers the American way?

AM: In certain states. But if you go to church you can get over it and you can become a productive member of society.

PP: I actually go to church. I know it’s hard for you to believe. It’s only because you know that Jesus on the cross? I love his smooth hairless body.

AM: This is what I’m talking about when I say you’re ripping apart the flag that Betsy Ross and her weavers worked so hard on.

PP: I’m not ripping apart the flag that Betsy Ross worked so hard on. If I had the flag that Betsy Ross worked so hard on, I wouldn’t destroy it. I’d put it up on EBay because it’s gotta be worth some serious coin. And that is the American way.

AM: That is true. That is why I’m voting for Meg Whitman. Here is a comic’s question for you. When is too soon, too soon to do a joke? Will it being too soon make you want to do the joke more? If so, what’s wrong with you?

PP: Yes. I will want to do it more. As a comedian, I’m like one of those on-the-scene reporters. I will actually go and try to find disasters so I can write jokes as the disasters unfold.

AM: You’re basically a comedic neo con. You create bad things and reap the benefits. Like Halliburton. You’re more of a Republican than I thought.

PP: There is no democrats or republicans, right or left, red state or blue state. We are all one. And we are all unified against Mexicans.

AM: Because they’re bad?

PP: We don’t want them coming here and taking their country back.

AM They’ve taken TV time slots too. Like Carlos Mencia.

PP: I am personally for open immigration but I’d like to restrict our borders specifically against Carlos Mencia. Cable TV is not protecting our borders.

AM: You’ve described your new show on Showtime, The Green Room, as comedy jazz. Most Americans don’t really get jazz, or like it. That’s why we listen to Britney Spears and country music. Care to reclassify the show?

PP: Yeah I know jazz is completely un-American. But the reason why America doesn’t like it is because it’s not funny. We’ve made jazz funny.

AM: Have you made it less ethnic?

PP: It’s less Mexican.

The Green Room with Paul Provenza airs Thursdays at 10:30 pm on Showtime

http://www.sho.com/site/greenroom/home.do

Satiristas!: Comedians, Contrarians, Raconteurs & Vulgarians
By Paul Provenza and Dan Dion
(IT Books, Hardcover)
can be found in bookstores everywhere or on Amazon

Satiristas: Comedians, Contrarians, Raconteurs & Vulgarians

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Follow Ali MacLean on HuffPo: http://www.huffingtonpost.com/ali-maclean

Timeless Concert Series – full orchestra collborations with the top composers and turntablists

It has been said that Los Angeles is a cultural wasteland. True the denizens here make trash like Rock Of Love Tour Bus and other crap, but I prefer to focus on the gems that pop up on my radar every once in a while…including the event series TIMELESS. If you like hip hop, Brazilian music, folk, jazz…hell if you like MUSIC, you should go. I’ve left you lucky devils some details below…

TIMELESS
Timeless,” a four-part concert series honoring the arrangers/composers that have influenced hip-hop since the 1970s. Beginning Sunday, Feb. 1, with a performance by Ethiopian Composer Mulatu Astatke and culminating on Sunday, April 5 with a performance by legendary composer David Axelrod, each Timeless concert features full orchestra collaborations honoring a featured arranger/composer framed with sets by turntablists from around the globe.

The “Timeless” concert series, which will be held at the Harriet and Charles Luckman Fine Arts Complex in Los Angeles, is a unique homage to arrangers and composers as the antecedents of today’s beat makers. The series features a tribute to revered hip-hop artist J Dilla by chamber musicians Carlos Nino and Migel Ferguson on Feb. 22; Brazilian folk-jazz artist Arthur Verocai with sets by Madlib and DJ Nuts on March 15; and Axelrod, whose heavily-sampled solo albums have never before been performed live, on Apr. 5. Each international artist will do their all-time hits, plus an exclusive new piece. The DJ/producer opening each concert will build their set around the legacy and era of the highlighted composer.

Known as the “father of Ethio-jazz,” Astatke, who also provided the music to indie film hit Broken Flowers, will be joined by openers Cut Chemist, Quantic and Egon in the kick-off concert. In addition to being a recognized solo DJ, Cut Chemist is a member of Jurassic 5 and Ozomatli. Tracks by Quantic, the English musician who now lives Cali, Columbia, have been regularly featured in songs by other eclectic DJs such as Richard Dorfmeister and Gilles Peterson. Egon is the general manager of Stones Throw Records.

Timeless is curated by production company Mochilla, which has previously developed campaigns for other tastemaker brands like Adidas, Dickies and Vans.

“Today’s hip-hop music revolves around beat-makers and producers, who often take their cues and samples from compositions of different generations and countries,” said Brian Cross (aka B+) of Mochilla. “Timeless brings these worlds together in Los Angeles – home to the world’s greatest musicians and session artists. Only here can we bring together such a diversity of music in this grand scale.”

Timeless Concert Series Dates and Ticket Information

The schedule for Timeless concerts at The Harriet and Charles Luckman Fine Arts Complex at the California State University, Los Angeles campus, is as follows:

Sunday, February 1st, 2009 – Mulatu Astatke with a 15-piece orchestra. Opening DJ sets by Cut Chemist, Quantic and Egon.
Sunday, February 22nd, 2009 – Miguel Atwood-Ferguson with a 39-piece orchestra with Special SURPRISE Guests. Opening DJ sets by House Shoes.
Sunday, March 15th, 2009 – Arthur Verocai with a 30 piece orchestra. Opening DJ sets by MADLIB and DJ Nuts (Brasil).
Sunday, April 5, 2009 – David Axelrod with a 26-piece orchestra. Dj set by J.Rocc. Special Guests TBA.

Tickets are available through Ticketmaster and the Luckman Box Office with general admission starting at $22.50. Performances are open to all ages.

Peanut Butter Wolf’s 888 kicks it at Root Down

It’s not like Peanut Butter Wolf has a lot of time on his hands. The man runs Stones Throw records, in addition to recording, producing, and spinning all over the world. So for Wolf to follow up last year’s 7 days of Heaven with 888: 8 days of music videos at 8 clubs in 8 styles – and no repeats nonetheless – well, god bless him. He’s the Little Prince of scratches.

Thursday night’s set at Root Down at Little Temple Bar in Los Angeles, was to be an hour of hip hop videos. I’ve been Wolf’s little blond shadow this week, following him from club to club. So, I was curious to see what he would break out to wow this crowd of uber hip hop fans. I feared it would be a bit like throwing Wolf to the lions.

With a fervent line snaking around Virgil Avenue, the mood was palpable. These lions wanted beats and wanted them bad. A capacity crowd, which included veteran and legend 9th Wonder, crammed themselves into the tiny room to see what Peanut Butter brought.

As PB stepped up to the mic, the crowd surged forward.

“So far, seven days and I’m here, rocking the same white tee shirt and the same Dodger hat…and I didn’t even know that we got Manny.” A few cheers were heard from fresh Manny Ramirez fans, but the rest of the crowd wanted music.

With a shout out to Dilla to kick things off, Wolf masterfully blended videos new and old, mixing flicks by Snoop Dogg, Wu Tang, and Method Man, with oldies by KRS One and De La Soul. Lest there be neophytes in the audience, he dropped hits by House of Pain, Onyx, and the Beastie Boys, but also broke out MOP, Leaders of the New School, and for the lovers of a high fade, Whistle’s ‘Just Buggin’.

The crowd was brimming with the kind of excitement only seen in kids on Christmas morning…that or the dudes in line at Best Buy the night before the premiere of the new Halo. However, the greatest testament to Wolf’s set was the complete joy on the faces of his peers. 9th Wonder, Jedi and Rhettmatic cheered him on, rapped along and peppered his scratches with shout outs.

Wolf finaled his hour long set with a video by Breakestra, featuring Root Down promoter, and Breakestra founder Music Man Miles. He stopped to mention that though he promised to play all hip hop, Breakestra and DJ Dusk were masterful enough to blend funk, soul, latin and jazz and expand the ears of hip hop fans everywhere. So with that testament and a shout out to Dusk, Dilla and Charizma, Wolf ended with some Ruben Blades.

“Damn, it’s hot in here.” PBW exclaimed as he left the stage. “I think I lost five pounds.” Likewise, the capacity crowd who stayed and sweated to the end, probably lost a combined ton in water weight. But that was just an added bonus to a night of electric sweat on the decks.

Oh and a side note – Wolf wasn’t wearing the actual same white t-shirt for the past 7 days. Just like his week of 888 spinning, Peanut Butter Wolf smells like roses.
Peanut Butter Wolf performs his final night of 888 on Friday. For more details, visit stonesthrow.com